Quilted Wall Hanging Amy & Ernie Riding In Process

This is my latest quilted wall hanging, “Amy & Ernie Riding”. (That’s my husband and me on our valiant steeds, Cody and Destiny.) On the left is my inspiration photograph, taken last fall in Matthiessen State Park, here in Illinois. It’s a beautiful park with deep ravines, creeks, woods, fields, and 9 miles of riding trails.

Note: This wall hanging is NOT completed. I just thought I would share my work in-process. So far, I have not done any sewing or quilting. I think it’s important for people to know that they can create some quite nice fabric art without being able to sew. I hope to add some glimpses of earlier stages another time. 

The photograph, as I said, was inspiration. In my art quilt wall hanging, I’m not wearing glasses and my husband is sporting a nice cowboy hat (because I have a thing for cowboys!) I realized, after the fact, that I could have dropped 40 pounds between the photo and my version, but oh, well, I’m just keeping it (fairly) real!

 

Below is an earlier version—the foreground is naked here. I also had a different hat on Ernie. Great example of “I can’t draw”! I tried to make a cowboy hat from a picture in my mind. Well, don’t go there! I found a photo on my computer that I was able to create a better hat from.

 

 

I decided to add a lot of texture with the foliage. Here’s a glimpse at my technique. I cut lots of little pieces of green fabrics and laid them on a piece of freezer paper. This keeps them together and protects my wall hanging from any messes from my glue. Yes, I use watered down glue in lieu of pins to hold pieces of fabric in place. I use just little dots of glue, applied with a toothpick or piece of straw. The pieces are generally easy to remove and there are no glue blobs to sew through.

 

 

 

I used the same technique to apply the fabrics to the foreground.

Next step is thread work: thread painting and quilting! Stay tuned!

 

 

 

 

 

>A Couple of my Landscapes

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Here are a couple of my landscape quilts/wall hangings.

The one of the left was a commission. A gal sent me 3 pictures she wanted combined into 1 picture.  The 3 are shown together above the wallhanging.  One is a picture (taken through a glass window) of a sunset.  Below it is a painting of 3 horses running through water.  The 3rd is a photo of her friend’s view from his house.

The job was to combine the 3 pictures into a single landscape, which I think I did successfully.  (She was quite thrilled with the result!)  The wall hanging is all fabric.  I used a combination of commercial prints and batiks and hand-dyed cottons.  I also painted (with water color pencils) the sunset, as I couldn’t find a fabric that looked like what I needed.  “When in need, make it yourself!”

The landscape on the right is also created completely in fabric and thread (as that is what I do!)  I made this for my cousin’s 50th birthday.  He lives in Phoenix and I found a photo on Google Earth of Camel Back Mountain there.  I used the photo as inspiration for my artwork.  I have to say, this was the hardest landscape I have ever done.  I will also admit that I like how it came out!

Batiks and hand-dyes were a great source for most of the fabrics. I also did a lot of thread painting for details like grasses. (See the detailed photo)  And, once again, I painted the sunset with my water color pencils.  I love the challenge of finding just the right textures and colors in various fabrics to create pieces of my pictures, but the skies, if I want them to look somewhat realistic, have been too much of a challenge to find!

I had scraps of fabric from my experiments with the sky and decided to use a piece for my label on the back, which is also pictured.

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 Dad and Jack

I’ve documented my process here on my blog and it’s finally finished!


I used the dark blue from the bottom of the quilt on the back.
I put a rod pocket across the top and I added a couple of other special touches.  I added a pocket to hold the copy of the photograph.  I also added a label for the name of the quilt, my name and date, and that this quilt was a gift for my father’s 85th birthday.

I absolutely loved working on this project.  It was like a jigsaw puzzle—-I kept thinking “OK, I’ll just add this one more detail” before I could get out of my studio.

The fabric pieces were an interesting challenge.  I love using hand-dyed and batiks, with all kinds of variations in color and tone.  Finding just the right piece can be overwhelming, but having my fabrics sorted by shade to start with really helps.  I keep in mind that I will be doing some stitching where needed for extra detail.

And the stitching===it’s so meditative. I do free-motion stitching throughout.  Sometimes when I do these quilts I use fine clear thread, but on this piece I used colored thread, changing as I needed to.  I don’t worry about matching the fabric exactly—a little contrast adds interest.

I’m looking forward to doing more portraits and landscapes in fabric.  I think this may be a new direction for my business!

>Creating a Portrait in Fabric

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Dad’s 85th birthday is coming up in a few days. I wanted to create something really special for him, something that he wouldn’t expect. I’ve had this photo of him at age 9 on my bookshelf for a long time. A couple of days ago I was finally inspired—-to create this photo as an art quilt!

I have begun the project and will chronicle it here. My first consideration was color. The photo is in black and white. I could copy this, but aside from not being very inspired, I don’t think it would reflect what I want it to. I want the piece to be interesting and reflect his long life. I
thought about doing it in life-like color, but I don’t know what color Dad’s hat and coat actually were. I have been looking at challenging myself by doing a monochromatic quilt, focusing on shade and tint, texture and line. I have decided to do the picture in sepia tones. This will give it an old-fashioned look, yet being a very contemporary style of art.
Next I had to enlarge this photo to a size I could manage. The original (something like 4X6″) is too small to replicate. I used my photocopier to enlarge it (in sections) 200%. The main figure itself is now about 24″ X 14″, so it will finish to
about 30″ tall. This will be manageable (I can finish it in 10 days) and large enough to be substantial (otherwise, why bother, right?)

The next step is to create a pattern. I have laid tracing paper on top of the enlargement and traced areas from
which to create fabric pieces. I kept in mind that I can’t have pieces too small to cut and place successfully. I also know that I will thread-paint details, so that will take care of some of the small issues.

Now……fabrics! I keep my fabric sorted by color, so it wasn’t too hard to pull out lots of shades of brown. I didn’t bother to research “sepia” to authenticate my color choices, instead I’m choosing shades and tints of yellow-orange. I’ve learned something about the importance of contrast to add interest to a piece, so I tried to find my very palest and very darkest pieces. I did discover that I have some browns that are more green-brown, and some are more gray-brown, so I tried to keep with the yellow and red-browns. I also got out a bit of solid black. There are a few prints with other colors in my piles….you never know, they might be interesting somewhere in the picture!

More to come……………..